35mm film stocks
kodak 200 gold
Film type: Colour negative
Film speed: ISO 200
Format: 35mm (also available in 120 & disposable cameras)
Process: C‑41
Exposures per roll: 24 or 36
Warm colour palette — rich reds, warm skin tones
Saturated colours with a nostalgic, slightly vintage look
Moderate contrast
Fine–medium grain (classic consumer film texture)
fujifilm 200
Film type: Colour negative
ISO speed: 200
Format: 35mm (24 or 36 exposures)
Process: C‑41
Colour balance: Daylight‑balanced
Neutral‑leaning colour palette with slightly cool Fuji tones
Punchy greens and clean blues (classic Fuji look)
Moderate saturation — less warm than Kodak Gold
Medium grain (consumer‑grade texture)
Moderate contrast
Kodak portra 400
Film type: Colour negative
ISO speed: 400
Format: 35mm (also 120, 4×5, 8×10)
Process: C‑41
Colour balance: Daylight‑balanced
Natural, neutral colour palette
Exceptional skin tones (Portra’s signature)
Low–medium contrast
Fine grain for ISO 400 (T‑Grain technology)
Soft highlight roll‑off
Ilford hp5
Film type: Black & white negative
ISO speed: 400/27°
Format: 35mm (also 120 & sheet film)
Process: Ilford ID‑11 / Kodak D‑76 / standard B&W chemistry
Base: Triacetate
Contrast: Medium
Grain: Traditional cubic grain, noticeable but classic
Sharpness: Moderate–high
Tone curve: Smooth, forgiving, wide midtones
Look: Gritty, documentary‑leaning, timeless
Reflx Lab Double‑X
Film type: Black & white negative
Base stock: Kodak Eastman Double‑X 5222 (cinema film)
ISO speed: 250 (daylight), 200 (tungsten)
Format: 35mm
Process: Standard B&W chemistry (NOT ECN‑2)
Base: Triacetate
Contrast: Medium–high
Grain: Classic cinema grain, fine but textured
Tone curve: Deep blacks, bright whites, smooth midtones
Look:
- Cinematic
- Gritty but elegant
- Timeless, documentary‑leaning
- Beautiful skin tones
Kentmere 400
Film type: Black & white negative
ISO speed: 400/27°
Format: 35mm (also 120)
Process: Standard B&W chemistry (D‑76, ID‑11, HC‑110, etc.)
Base: Triacetate
Contrast: Medium
Grain: Medium, traditional cubic grain
Sharpness: Moderate
Tone curve: Smooth midtones, slightly flatter than HP5
Look: Clean, classic, slightly softer budget‑friendly aesthetic
showa escura 400
Film type: Colour negative
ISO speed: 400
Format: 35mm
Process: C‑41
Colour balance: Daylight‑balanced
Contrast: Low
Saturation: Low
Grain: Medium, soft, vintage‑leaning
Tone curve: Gentle highlights, lifted shadows
Look:
- Retro Showa‑era aesthetic
- Muted palette
- Soft, pastel‑leaning colours
- High dynamic range with a “washed‑in‑sunlight” feel
Phoenix 400
Film type: Colour negative
ISO speed: 400
Format: 35mm
Process: C‑41
Colour balance: Daylight‑balanced
Contrast: Medium–high
Saturation: Medium, with a warm leaning
Grain: Noticeable medium grain — more textured than Kodak consumer stocks
Tone curve:
- Stronger blacks
- Warm midtones
- Slightly punchy highlights
Look:
- Warm, nostalgic palette
- Slightly cinematic warmth
- More contrast and saturation than Showa 400
- Less clinical than Kodak Gold
ruby 60's
Film type: Colour negative
ISO speed: 200
Format: 35mm
Process: C‑41
Colour balance: Daylight‑balanced
Contrast: Medium
Saturation: Medium–high, with a warm vintage bias
Grain: Medium, classic 60s‑style texture
Tone curve:
- Warm midtones
- Slightly lifted blacks
- Gentle highlight roll‑off
Look:
- 1960s consumer‑film aesthetic
- Warm, nostalgic colour palette
- Slightly faded reds and yellows
- Subtle halation‑like glow in bright light
Ukiyo‑e
Film type: Colour negative
ISO speed: 100
Format: 35mm
Process: C‑41
Colour balance: Daylight‑balanced
Contrast: Low
Saturation: Low–medium, pastel‑leaning
Grain: Fine–medium
Tone curve:
- Soft highlights
- Lifted shadows
- Gentle midtones
Look:
- Pastel, muted colours inspired by ukiyo‑e woodblock prints
- Soft blues, gentle reds, subdued yellows
- Slightly hazy, dreamy rendering
- Very “art‑print” aesthetic — not realistic, intentionally stylised
Kodak Ultramax 400
Film type: Colour negative
ISO speed: 400
Format: 35mm (24 or 36 exposures)
Process: C‑41
Colour balance: Daylight‑balanced
Contrast: Medium–high
Saturation: High — classic Kodak punch
Grain: Medium, noticeable but pleasing
Tone curve:
- Stronger blacks
- Warm midtones
- Punchy highlights
Look:
- Vibrant, warm, consumer‑film aesthetic
- Rich reds and yellows
- Slightly cool shadows
- More “pop” than Gold 200
LomoChrome Color ’92 Sun‑Kissed
Film type: Colour negative
ISO speed: 400
Format: 35mm (also 120 & 110)
Process: C‑41
Edition: Limited‑edition warm variant of LomoChrome Color ’92
Colour balance: Daylight‑balanced
Contrast: Medium
Saturation: Medium–high with warm bias
Grain: Medium, classic 90s‑style texture
Tone curve:
- Warm highlights
- Golden midtones
- Slightly lifted blacks
Look:
- Intense yellow/orange warmth
- “Golden‑hour glow” even in midday sun
- Subtle 90s aged‑film aesthetic
- Slight halation‑like softness in bright light